16th–17th Century: Renaissance & Early Modern Period
4
| Period | Movement | Core Feature | Representative Figures |
|---|---|---|---|
| Renaissance | Humanism | Classical revival, dignity of man | William Shakespeare |
| Metaphysical Poetry | Intellectual wit | Conceits, paradox | John Donne |
| Puritan/Religious Writing | Moral didacticism | Spiritual struggle | John Milton |
18th Century: Enlightenment & Neoclassicism
4
| Movement | Dominant Concern | Features |
|---|---|---|
| Neoclassicism | Reason, order | Satire, decorum, classical imitation |
| Enlightenment | Rational progress | Essay, political prose |
| Rise of Novel | Individual experience | Realist narration |
Key Figures: Alexander Pope, Daniel Defoe
Late 18th–Mid 19th Century: Romanticism & Realism
| Movement | Intellectual Shift | Literary Response |
|---|---|---|
| Romanticism | Reaction against industrial rationalism | Emotion, nature, imagination |
| Victorian Realism | Industrial society critique | Social reform fiction |
Key Figures: William Wordsworth, Charles Dickens
Early 20th Century: Modernism
| Feature | Explanation |
|---|---|
| Fragmentation | Collapse of unified narrative |
| Stream of Consciousness | Interior monologue |
| Alienation | Urban modern crisis |
Key Figures: T. S. Eliot, James Joyce
Mid–Late 20th Century: Postmodernism & Resistance Literatures
4
| Movement | Characteristic |
|---|---|
| Postmodernism | Irony, metafiction, skepticism |
| Postcolonial Literature | Empire critique |
| Feminist Literature | Gendered subjectivity |
Key Figures: Thomas Pynchon, Chinua Achebe
II. Comparative Chart: Romanticism vs Realism vs Modernism vs Postmodernism
| Category | Romanticism | Realism | Modernism | Postmodernism |
|---|---|---|---|---|
| Historical Context | Industrial Revolution | Rise of middle class | World Wars | Cold War & late capitalism |
| View of Reality | Emotional, sublime | Objective, social | Fragmented, unstable | Constructed, ironic |
| Subjectivity | Celebrated individual | Social individual | Alienated consciousness | Decentered self |
| Form | Lyrical, symbolic | Linear narrative | Experimental | Metafictional |
| Truth | Emotional truth | Empirical observation | Subjective crisis | Relativized |
| Representative | William Wordsworth | Charles Dickens | James Joyce | Thomas Pynchon |
III. Theory–Movement Alignment Table
This table links major literary theories with corresponding movements.
| Literary Theory | Corresponding Movement | Conceptual Overlap |
|---|---|---|
| Formalism | Modernism | Focus on structure and aesthetic autonomy |
| Marxism | Realism / Postcolonial | Class and material conditions |
| Psychoanalysis | Modernism | Interior consciousness |
| Structuralism | Modernist/Postmodern narrative | Language systems |
| Poststructuralism | Postmodernism | Instability of meaning |
| Feminist Theory | Feminist Literature | Gender critique |
| Postcolonial Theory | Postcolonial Literature | Empire, hybridity |
| Existentialism | Modernism | Alienation, absurdity |
IV. Integrated Historical Flow Model
| Phase | Dominant Anxiety | Literary Innovation |
|---|---|---|
| Classical | Order | Harmony & structure |
| Romantic | Industrial mechanization | Nature & emotion |
| Realist | Social inequality | Social documentation |
| Modernist | Meaning collapse | Fragmentation |
| Postmodern | Grand narrative crisis | Irony & metafiction |
| Postcolonial | Empire & identity | Writing back |